YOUR BEST SOURCE FOR PRO AUDIO GEAR. Hologram Electronics Dream Sequence Sequencer, Synth-Like Guitar Effects Pedal. Its a sequencer, an envelope shaper, a pitch shifter, a sampler, and more. Its a source of inspiration that can create synth-like arpeggios, pulsating sheets of sub-octave distortion, shimmering, ethereal chord washes, and a limitless number of other new sounds. Octave Up and Down Pitch Shifting. Rhythmic Gate, with dynamic ADSR morphing. Digitally-Controlled, Analog Drive and Tone. Save Custom Presets, with 11 Save Slots. Pattern Recorder, for creating custom patterns via tapping footswitches. Record and Save Knob Automation. Expression Pedal Input, mappable to many controls. True Bypass Switching (electromechanical relay). Auxiliary Modes for use as a +1/-1 oct. Pitch Shifter, Tremolo, or Hold Sampler. Dream Sequence is built around a pattern-based rhythmic Sequencer that pitch shifts your instrument up or down one octave. This allows for unique Arpeggiator and Tremolo patterns at moderate tempos, churning, atmospheric effects at slow tempos, and wild Modulation-like effects at high speeds. OCTAVE UP + DOWN. Dream Sequences patterns are composed of octave up and octave down pitch shifts in rhythmic sequence. The octave up and octave down section can also be used independently of the sequencer to replace a traditional pitch shifter. Holograms proprietary, hassle-free Tap Tempo system allows you to synchronize with other musicians effortlessly. Tap as few, or as many, times as you want (even throughout an entire song) and Dream Sequence will smoothly interpret the tempo changes without artifacts. Dream Sequences Hold function allows you to sample a chord or note and sustain it indefinitely; it then feeds this sample into the pattern sequencer, allowing you to play on top of it to create harmonies, drones, and many other new tonal possibilities. DIGITALLY CONTROLLED ANALOG DRIVE AND TONE. Dream Sequence has a built-in analog overdrive and tone circuit. Save drive and tone settings for each preset, or manipulate them as part of your patterns. MAKE AND SAVE YOUR OWN PRESETS. Dream Sequence lends itself to creating chaotic, often unexpected sounds. Any sound you create or modify can be saved instantly to the Saved Preset Bank and recalled later. This includes the positions of all the knobs (Shape, Dry Mix, Drive, and Tone), as well as Tempo, and any Knob Movements that youve recorded. Dream Sequence has 3 Preset Banks: User, Factory, and Saved. The User Bank contains simple, customizable step sequencer patterns, while the Factory Bank contains more complex, evolving presets. The Saved Bank contains 11 locations for saving your own presets. The User Bank contains 12 building-block patterns and allows you to use the Subdivision and Shape controls to customize them. The Shape Knob controls the contour of the waveform used by the step sequencer, smoothly morphing from short, percussive, square-wave sounds to backwards-guitar-like ramp waves, and many sounds in between. Dream Sequence is meant to kickstart your creativity; it ships with a variety of presets to get you started, but its easy to customize these sounds to your tastes, and even create your own patterns and presets. In addition to the 24 preset patterns included in the Dream Sequence, you can record your own patterns by tapping the 3 footswitches in sequence, or via MIDI in a DAW like Ableton Live or Logic. These patterns can then be saved in any of the 11 User Preset Locations. Twist knobs and record their movements to create patterns on the fly, then sync them to the band with Tap Tempo. You can automate the Drive, Tone, or Shape Controls to produce pulsing distortions, modulation-like effects, and then save them to a Preset. Plug in an expression pedal, and Dream Sequence will allow the user to assign it to Distortion, Tone, Pattern Subdivision, or Tempo. Clock it with MIDI, or even create sequences in your favorite DAW program. Dream Sequence can also clock other pedals via Tap Tempo with its MIDI Output. The item “Hologram Electronics Dream Sequence Sequencer, Synth-Like Guitar Effects Pedal” is in sale since Saturday, October 26, 2019. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Parts & Accessories\Effects Pedals\Phasers & Shifters”. The seller is “*pitbullaudio*” and is located in National City, California. This item can be shipped worldwide.
- Brand: Hologram Electronics
- MPN: DS
YOUR BEST SOURCE FOR PRO AUDIO GEAR. Hologram Electronics Infinite Jets Blur Aynth Glitch Swell Guitar Effects Pedal. A SUITE OF EXPRESSIVE EFFECTS TO TRANSFORM YOUR INSTRUMENT IN NEW AND EXCITING WAYS. Infinite Jets tracks the dynamics of your playing, samples individual notes and chords, and then reinterprets them as new sounds using two independent channels of infinite sustain. It offers 4 separate sampling effects in one: Blur, Synth, Glitch, and Swell. Create lush ambient textures that seamlessly fade from one chord to the next, infinite sustain, glitching granular loops, filtered synthesizer sounds, violin-like fuzz and swell effects, drones, distorted delay and vibrato, and much more. Two independent channels of sampling, allowing for infinite sustain of two different notes or chords at a time. Samplers can be triggered automatically by note attack or in manual mode via footswitch. 4 separate effect styles (Blur, Synth, Glitch, and Swell). 2 User Save slots. Envelope Shape control, for changing the attack and decay characteristics of sampled notes. Dimension control, for manipulating parameters unique to each effect. Record and Save Knob Movements. Internal LFO and Envelope Generators for control of Dimension and sampling channel volume. Digitally-Controlled-Analog Drive, Tone, and Dry Mix controls Analog Dry Path. Expression Pedal Input, mappable to many controls. True Bypass Switching (electromechanical relay). CHANNELS OF INFINITE SUSTAIN. The pedal uses two channels of sampling (A & B) to sustain notes indefinitely. They can be triggered by your playing automatically or via footswitches. Because there are two channels of sampling, notes can attack, sustain, and decay on top of each other. This allows for unique harmony, drone, and textural effects. Any note or chord can be sustained indefinitely and assigned a wave shape and decay time via the Shape and Envelope Time controls. WAYS TO CONTROL SAMPLING. In Mono Trigger Mode, only one channel can sustain at a time. Notes are triggered by your playing. In Poly Trigger Mode, both channels can sustain at the same time, allowing notes to overlap. In Manual Trigger Mode, either channel can be triggered independently via the A & B footswitches. It can be set to Toggle, Latching, or Momentary operation. These presets “freeze” the frequencies of your note or chord, but remove the original attack and decay characteristics, allowing the sample to be reshaped into a new sound. The Blur presets are useful for creating hazy, atmospheric textures, pads underneath lead playing, and many other unique effects. Besides the standard voicing, +1 Octave, -1 Octave, and +/- 1 Octave variations are included. When using Blur presets, the Dimension knob controls a combination of delay time, filtering, and feedback that drastically changes the perceived “size” and “space” of the sound. Automating this control can create pitch bends, chorus, and vibrato sounds. These presets sample your sound and convert it into one of two different synth sounds using Hologram’s proprietary DSP algorithms. When using the Synth A and B presets, the Dimension knob controls the low pass filter’s cutoff frequency. The filter can be automated with recorded knob movements or controlled by the internal LFO or envelope. Synth A transforms your playing into a hard edged digital synthesizer sound, while Synth B transforms your signal into an airy, gently chorused synthesizer sound reminiscient of 1980s synth pads. These presets chop the incoming signal into looping fragments and reassemble them in two distinctly different ways: Glitch A splits the incoming signal into four fixed looping chunks of audio in a predictable way. The Dimension knob chooses one of the four sample lengths to play back when in Glitch A mode. Glitch B adds a random element by storing notes or chords in one of six separate fragments of audio and playing them back at random (or controlled) intervals. In this mode the Dimension control can be used to scroll back through the six notes stored in the pedal’s memory. Automating this control allows for real time remixing of audio into new patterns- while the control is automated it sweeps through the different sample blocks of pre recorded audio and plays them back. Any new notes played while the control is automated will overwrite the existing material in the sample blocks. In this way the pattern can continually evolve as notes are added and subtracted. These presets allow for the use of Infinite Jets’ dynamics processing to add dramatic volume effects to your playing. With Swell A you can create volume swells or repeat the waveform to create tremolo effects. The effected signal is then fed into a delay (controlled by the Dimension knob) which can be modulated by LFO, envelope, or recorded knob movement. Automating this control can create a wide range of sounds from subtle tape warble, chorus, or vibrato to extreme pitch shifting feedback sounds. Swell B performs the same function as Swell A and adds waveshaping to the signal, allowing for violin-like sustained fuzz effects and over the top distorted lead tones. The item “Hologram Electronics Infinite Jets Blur Aynth Glitch Swell Guitar Effects Pedal” is in sale since Saturday, October 26, 2019. This item is in the category “Musical Instruments & Gear\Guitars & Basses\Parts & Accessories\Effects Pedals\Distortion & Overdrive”. The seller is “*pitbullaudio*” and is located in National City, California. This item can be shipped worldwide.
- Brand: Hologram Electronics
- MPN: IJ